Studio Recording Violin, Viola, Cello, Vocals
Dubbed "The Hookmeister” by one San Francisco Bay Area recording engineer, violinist/violist Laurel Thomsen’s knack for framing the tone of a track or album and creating infectious melodies has saved more than one client’s song from the chopping block. Classically trained with the ability to convey complex emotion through her instrument, yet also possessing an exceptional ear and the ability to read chord charts, improvise, arrange, and "fiddle" in a range of genres, Laurel presents an attractive package for songwriters and bands looking to add string parts to an album or song. Having recorded lead and backing violin, viola, cello, as well as both lead and harmony vocals, on dozens of albums since the early 2000s, she is frequently sought for her ability to add depth, color, and emotion to all types of music.
Canada’s premier music magazine, Penguin’s Eggs, recognized Laurel as “a terrific violinist and accompanist” with a “judicious” approach and “fascinating undertones and range.” Cashbox Magazine noted her "deft, elegant violin."
Born and raised in Monterey, California, and now based in the Santa Cruz Mountains, Laurel is available for in-studio recording sessions around the California Central Coast (Monterey, Santa Cruz, etc.) and San Francisco Bay Area, and elsewhere via remote session from her home studio or a recording studio of a client's choice.
With a rich and expressive tone and an interpretive style that can both rock a solo or add backup texture or groove, she has performed on Pop, Folk, Rock, Blues, Country, Bluegrass, Celtic, Latin, Gypsy, Jazz, Ragtime, and Cabaret style tracks. Samples from some of the albums she has recorded on can be found here.
Canada’s premier music magazine, Penguin’s Eggs, recognized Laurel as “a terrific violinist and accompanist” with a “judicious” approach and “fascinating undertones and range.” Cashbox Magazine noted her "deft, elegant violin."
Born and raised in Monterey, California, and now based in the Santa Cruz Mountains, Laurel is available for in-studio recording sessions around the California Central Coast (Monterey, Santa Cruz, etc.) and San Francisco Bay Area, and elsewhere via remote session from her home studio or a recording studio of a client's choice.
With a rich and expressive tone and an interpretive style that can both rock a solo or add backup texture or groove, she has performed on Pop, Folk, Rock, Blues, Country, Bluegrass, Celtic, Latin, Gypsy, Jazz, Ragtime, and Cabaret style tracks. Samples from some of the albums she has recorded on can be found here.
Laurel’s calm, focused, perceptive, and supportive demeanor is an asset to any recording project, putting others at ease and offering insightful suggestions as requested to help elevate each project and make the most of precious studio time.
Laurel works quickly in the recording studio. Her record to date is 9 songs in 3 hours. However, projects come with differing levels of complexity. If string parts are already composed, Laurel can easily read the sheet music and might average 1-3 songs an hour for such sessions. In situations where she needs to use her interpretive skills to bring a client’s rough sketches to life, or to create string arrangements completely from scratch, Laurel comes with the patience and professionalism to accept and translate feedback, and the stamina to realize her clients' vision in the studio - a creative process that often evolves through reflection, feeling, and listening.
Though chord charts and/or lead sheets may be helpful in these latter situations, they are also not necessary. Laurel can easily hear and interpret chord changes and is quick to memorize melodies and progressions. Clients appreciate her intuitive musical sensibility, and the range of colors, moods, and musical styles she can confidently deliver. Recording engineers appreciate her consistently spot-on intonation and timing, and her gorgeous tone, making editing and EQ-ing after a session quick and easy.
Laurel works quickly in the recording studio. Her record to date is 9 songs in 3 hours. However, projects come with differing levels of complexity. If string parts are already composed, Laurel can easily read the sheet music and might average 1-3 songs an hour for such sessions. In situations where she needs to use her interpretive skills to bring a client’s rough sketches to life, or to create string arrangements completely from scratch, Laurel comes with the patience and professionalism to accept and translate feedback, and the stamina to realize her clients' vision in the studio - a creative process that often evolves through reflection, feeling, and listening.
Though chord charts and/or lead sheets may be helpful in these latter situations, they are also not necessary. Laurel can easily hear and interpret chord changes and is quick to memorize melodies and progressions. Clients appreciate her intuitive musical sensibility, and the range of colors, moods, and musical styles she can confidently deliver. Recording engineers appreciate her consistently spot-on intonation and timing, and her gorgeous tone, making editing and EQ-ing after a session quick and easy.
While Laurel is happy to follow a click track, she is also sensitive to changes in tempo and mood, perceiving subtle rubato, capturing dynamics and changing tone colors, and complementing vocal lines and other instruments with carefully matched phrasing, vibrato, articulation, and stylistic approaches.
Offering violin, viola, and cello (played Classically or with a variety of fiddle and world music flavors), Laurel provides options for multiple interweaving string lines in various registers, the ability to stack voicing for a string quartet sound, and can contribute backup or lead arrangements.
With a “remarkable singing voice” as described by the Monterey Herald, Laurel has also been contributing vocal leads and harmonies to a number of albums since 2012. Her warm and smooth voice blends easily with a variety of female and male lead voices, and her range suits both soprano and alto harmony lines. She can easily match pitches already determined, or find harmonies by ear, reflecting the mood of the lyrics and the chord progressions of a song. As with her string playing, Laurel is sensitive to phrasing and articulation, and takes pride in her carefully blended vocal tones.
Offering violin, viola, and cello (played Classically or with a variety of fiddle and world music flavors), Laurel provides options for multiple interweaving string lines in various registers, the ability to stack voicing for a string quartet sound, and can contribute backup or lead arrangements.
With a “remarkable singing voice” as described by the Monterey Herald, Laurel has also been contributing vocal leads and harmonies to a number of albums since 2012. Her warm and smooth voice blends easily with a variety of female and male lead voices, and her range suits both soprano and alto harmony lines. She can easily match pitches already determined, or find harmonies by ear, reflecting the mood of the lyrics and the chord progressions of a song. As with her string playing, Laurel is sensitive to phrasing and articulation, and takes pride in her carefully blended vocal tones.
Laurel ThomsenViolin, Viola, Vocals
Performance, Instruction, Recording
Based in Santa Cruz, California
"After the Fire" - released January 21, 2022!
We began recording this album in late July 2020, under California’s Covid–19 stay-at-home order, in Dan’s Bonny Doon home studio, The Shed. We were wrapping up by mid-August, but then a heatwave and extremely unusual lightning storm sparked a fast-moving forest fire. Completed after our evacuation to the safe haven of a friend’s home, After the Fire marks the end of an era and a fresh start; Dan’s little studio burned the morning after he’d rescued the rough tracks, studio equipment, and a range of instruments we play, yet rarely have the space to bring with us on the road. Highlighting them on this album helped us feel the joy of performing again and to know that despite the setbacks of the past year, our music will thrive in new ways.
Each song portrays a facet of the journey from setback to reclaimed hope - finding faith in the possibility of LOVE in “Make Me Come Alive,” HOME in “Beale Street,” COMMUNITY in “Together Again” and “Money Shouldn’t Talk That Strong,” and one’s own STRENGTH and FORTITUDE in “If A Wave” and “Hey, It’ll Be OK.”
Each song portrays a facet of the journey from setback to reclaimed hope - finding faith in the possibility of LOVE in “Make Me Come Alive,” HOME in “Beale Street,” COMMUNITY in “Together Again” and “Money Shouldn’t Talk That Strong,” and one’s own STRENGTH and FORTITUDE in “If A Wave” and “Hey, It’ll Be OK.”